This groundbreaking forum will explore barriers faced by artists from working class backgrounds, addressing their critical lack of representation in the arts and proposing solutions towards a more economically inclusive culture that reflects the full breadth of the American experience in the twenty-first century.

Thursday, May 1, 9am-1pm
Frederick Loewe Theater, Hunter College
930 Lexington Avenue
The entrance is on East 68th Street between Park and Lexington Avenues, near Lexington

Hosted by
THE OFFICE OF THE ARTS
Hunter College
Gregory Mosher, Executive Director

This event is made possible by the generous support of Susie Sainsbury

Schedule

9:00–9:30 AM

Coffee & Pastries

9:30 AM–1 PM

Panel Discussions

Windows and Walls

Why do some American artists see a possibility as a window, and some a wall? It depends on where you’re standing.

Moderator: Elizabeth Spiers, New York Times Contributing Opinion Writer

Jabari Brisport, New York State Senator

Stephen Adly Guirgis, Pulitzer-Winning Playwright

Betty Yu, Multimedia Artist & Community Organizer

The Money Trap

Why are we always confusing value with cost? And why is everything so expensive? Access was always part of the not-for-profit idea. Have we abandoned it?

Moderator: Peter Marks, Pulitzer Winner & Former Washington Post Chief Theater Critic

Tom Finkelpearl, Former NYC Commissioner of Cultural Affairs 

Robert Marx, Fan Fox & Leslie R. Samuels Foundation President & Managing Director

No Artist Is an Island

Artists need creative communities. And spaces. And audiences. How can artists integrate into urban neighborhoods?

Mino Lora, The People's Theatre Executive Artistic Director

José Serrano-McClain, Community Economic Development Specialist

Colm Summers, Working Theater Artistic Director

Break (15 minutes)

The Highwire Act

How can artists balance their practice and paying the rent? From housing to healthcare, how can the basic needs of all artists be met?

Moderator: Amy Goodman, Democracy Now! Host

Theresa Buchheister, Obie-Winning Former Artistic Director of The Brick

Sarah Calderón, Creatives Rebuild New York Executive Director

Gonzalo Casals, Culture & Arts Policy Institute Co-Director

Rafael Espinal, Freelancers Union President & Executive Director

We the People

Why do we need to hear from working class artists, anyway? In a democracy, everyone is supposed to get a fair chance. And in a democracy, every voice should matter.

Moderator: Ali Velshi, Award-Winning Journalist & MSNBC Chief Correspondent

James Graham, Olivier-Winning Playwright

Richard Sharum, Documentary Photographer

1:00–2:00 PM

Lunch & Solution Sessions 

Participants Will Include

Jabari Brisport

New York State Senator

Theresa Buchheister

Obie-Winning former Artistic Director, The Brick

Sarah Calderón

Executive Director, Creatives Rebuild New York

Tom Finkelpearl

Former NYC Commissioner of Cultural Affairs

Gonzalo Casals

Culture & Arts Policy Institute Co-Director

Rafael Espinal

Freelancers Union President & Executive Director

Amy Goodman

Democracy Now! Host

James Graham

Olivier-Winning Playwright

Stephen Adly Guirgis

Pulitzer-Winning Playwright

Mino Lora

The People's Theatre Executive Artistic Director

Christina Maile

Westbeth Feminist Theater Collective Co-Founder

Peter Marks

Pulitzer Winner & Former Washington Post Chief Theater Critic

Robert Marx

Fan Fox & Leslie R. Samuels Foundation President & Managing Director

José Serrano-McClain

Community Economic Development Specialist

Richard Sharum

Documentary Photographer

Elizabeth Spiers

New York Times Contributing Opinion Writer

Colm Summers

Working Theater Artistic Director

Ali Velshi

Award-Winning Journalist & MSNBC Chief Correspondent

Betty Yu

Multimedia Artist & Community Organizer

More Participants to Be Announced Soon

“Art is the great democrat, calling forth genius from every sector of society, disregarding race or religion or wealth or color.”

John F. Kennedy, 1962

“Lincoln used to say that democracy was a system that allowed you to arrive at your level of talent and discipline. A lot of people don’t feel that anymore. This is where class comes in…you wonder how much talent is out there and the system doesn’t let them rise.”

Historian Doris Kearns Goodwin

A healthy democracy’s culture would reflect the widest possible creative perspectives of its citizens. But for the past fifty years, working class American artists—Black and white, urban and rural, men and women—have found it increasingly difficult to propel their voices into the national conversation. There are many reasons for this, and it is of course only a part of the larger national economic and social problem facing the working class. But diminishing these creative voices has exacerbated our well-documented cultural disconnections, distorted our sense of a national identity, limited opportunities for community building through empathy, and held us back from that ever elusive goal, a more perfect union.

We the People: A Forum on Working Class Artists in America will bring together artists and arts administrators, policymakers, economists, scholars, elected officials, students, and journalists in a series of panel discussions to explore the financial and social barriers that artists from working class backgrounds face, the commonplace inaccessibility of arts events to working class audiences, the financial and social price of the arts not representing the culture at its fullest, and what solutions we might begin to find.

This forum is, to the best of our knowledge, the first of its kind in the United States, and we hope it will be the beginning of an urgent national conversation.

Presented by
THE OFFICE OF THE ARTS
Hunter College

This event is made possible by the generous support of Susie Sainsbury

Jenny Rroji, Joey Merlo, Chad Kaydo, Producers

Contact Us